2013 Non-Sequitur: Where Things Felt Right … Until They Didn’t

2013 in review, yay! Nature, happiness, joy, triumph of the soul, financial and spiritual freedom, a life of blissful … Wait, never mind. Let’s cut the crap. Some of my decisions worked out in the end, some didn’t. All of my decisions were a result of naivety and experience, knowledge and ignorance, broad mind and dogmatic preconceptions. There may be stuff in here that’s useful in a wider sense, but these were the things that worked (and didn’t) for me. You may find that spending major holidays in the forest isn’t your thing – in which case, my advice below cannot be held responsible for your mosquito-induced misery to come.

So, here goes:

1. Spend All Major Holidays … And Any Other Days in Nature

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“Not all those who wander are lost.” Mr. Tolkien, how did you just so perfectly express the entire philosophy of my life? Photo taken by Anthony Dewar, the only person in this world, who can magically transform me from an awkward squirrel into a somewhat elegant human-being. Canada Day in Copeland Forest, 2013

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Oh no, never mind, here’s that awkward squirrel again. Photo is still by Anthony Dewar. Christmas in Copeland Forest, 2013

Want to understand design from functional, aesthetic and experiential perspectives? Let’s start with the idea that we can experience all these phenomena, the objects and the events of the world, as they show up during your walk through a forest. The experience of the world ‘just as it is’ often requires significant attention, the quieting of the mind, the relaxation of the body, and the suspension of preconceptions. These are the skills you will learn not by studying ‘about’ nature, but learning ‘from’ nature during your walk in a forest. Once a designer can fully intake the unfiltered experience of sun and wind, light and shadow, damp and dry, fragrant and fetid, patterns of function, aesthetic, and experience begin to emerge. This is the beginning point for designing objects, spaces, systems, and experiences that engender and facilitate thoughtful solutions.

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Francine Houben: culture and nature in landscape design

Designers love to build prototypes. So do architects. Let’s imagine the farmer to be one of such prototypes. “He prospers only insofar as he understands the land and by its management maintains the bounty. So too with the man who builds. If an architect is perceptive to the processes of nature, to materials, and to forms, his creations will be appropriate to the place; they will satisfy the needs of social process and shelter, be expressive and endure.”

Vincenzo and I went to a lovely lecture by Francine Houben, an architect who loves and builds for people. The lecture series, organized by Azrieli School of Architecture and Urbanism and held at spacious National Gallery of Canada Auditorium, feature such prominent architects as Edouard Francois – the author of Flower Tower; Gregory Burgess – the proponent of architecture as a social, healing, and ecological art; and other inspiring urban innovators.

The Forum Lecture Series kicked off with an inspirational quote by Wim Wenders “If Buildings Could Talk … ”

… some of them would sound like Shakespeare.
Others would speak like the Financial Times,
yet others would praise God, or Allah.
Some would just whisper,
some would loudly sing their own praises,
while others would modestly mumble a few words
and really have nothing to say.
Some are plain dead and don’t speak anymore…

Buildings are like people, in fact.
Old and young, male and female,
ugly and beautiful, fat and skinny,
ambitious and lazy, rich and poor,
clinging to the past
or reaching out to the future.

Don’t get me wrong: this is not a metaphor.
Buildings DO speak to us!
They have messages. Of course.
Some really WANT a constant dialogue with us.
Some rather listen carefully first.
And you have probably noticed:
Some of them like us a lot, some less
and some not at all.

What a perfect introduction to Miss Houben’s lecture about buildings “that are eager to welcome, to help, to be of service”.  The famous Library of Delft University of Technology has brought Francine an international recognition in 1998.  Her reasons for undertaking the project seemed to revolve around the issue of public spaces and natural settings that would welcome people to walk, feed on sunlight, and enjoy the company of each other.

TU Delft Library

Source: mecanoo.nl

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